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Hesiod and Theognis (Penguin Classics): Theogony, Works and Days, and Elegies, by Hesiod, Theognis
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Together these two poets-Hesiod, the epic poet, and Theognis, the elegist-offer a superb introduction to the life and thought of ancient Greece.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #34969 in Books
- Brand: Wender, Dorothea
- Published on: 1976-08-26
- Released on: 1976-08-26
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .40" w x 5.10" l, .27 pounds
- Binding: Paperback
- 176 pages
Review
"Good and readable. We can use it in our Myth and Greek courses."--David H.J. Larmour, Texas Tech Univ
"This is a good, serviceable translation by the foremost authority of Hesiod....very clear and accessible version....concise introduction and useful notes...deserves to become a text of preference in courses in translation."--Robert L. Fowler, Classical World
"The introduction blends charm, substance, and clarity for new readers of Hesiod. West makes him unintimidating, understandable, and above all human."--Carole Weaver, Iona College
`West is the finest Hesiod scholar of our time, if not of all time, and accordingly his English prose version is an altogether worthy by-product of his long, fruitful studies His introduction is masterly; and the endnotes, though brief, tell enough for most readers' information or curiosity."--Religious Studies Review
"Very reasonably priced, yet with pleasing type-setting, a helpful introduction, and endnotes. Turning the endnotes into footnotes would have been even better."--Christopher Magri, Northwestern State University
"Good, clear translation, useful notes."--Dr. Karl M. Petruso, University of Texas at Arlington
Language Notes
Text: English, Greek (translation)
About the Author
Very little is known about Hesiod and it cannot definitely be proved that the same man wrote both the Theogony and Works and Days. He probably lived in the eighth century BC (contemporary with Homer) in Boeotia on the Greek mainland.
Theognis lived and wrote chiefly in the sixth century BC. He came from Megara, probably the one on the Greek mainland, and was an aristocrat. There was a popular revolution, in which he lost his status and possibly his money. He appears to have been exiled and might have moved to Megara in Sicily. He had a friend called Kurnos, the son of Polypaos, an aristocrat like himself. to whom he wrote numerous poems.
Dorothea Schmidt Wender was born in 1934 in Ohio and graduated from Radcliffe College, and then went to the University of Minnesota and Harvard University. She has been Associate Professor and Chairman of the Department of Classics at Wheaton College, Massachusetts. Her publications include book reviews and scholarly articles.
Most helpful customer reviews
54 of 57 people found the following review helpful.
Ian Myles Slater on: West's Hesiod Translation
By Ian M. Slater
Some of the other reviews offered with M.L. West's translation of Hesiod's "Theogony" and "Works and Days" for the Oxford World's Classics actually refer to Dorothea Wender's verse translation of the same works, plus a charming version of the collection of lyrics attributed to Theognis, published in the Penguin Classics. That is a worthwhile version -- although the joining of the peasant-oriented Boeotian Hesiod to the mainly aristocratic, and partly Athenian, "Theognis" corpus is a little odd.
West's version of the two main Hesiodic poems is, however, in prose, and offers the latest in textual and historical scholarship -- although this is not very obviously on display. West, who has edited much (perhaps by now all) of the "Hesiodic" corpus, with substantial technical commentaries (along with a good deal of Homer and the "Homeric Hymns"), offers here his best reading of the two long poems which seem most firmly attributed Hesiod. (Although some, including Wender, would prefer two poets, in addition to the problem of interpolations).
West's commentary, although useful, is surprisingly sparse, given what he could have offered; a lot of detailed argument has been converted into the translation itself.
"Theogony," for those not familiar with the work even by reputation, is the story of the origins and struggles of the gods of Classical Greece. Although the meter and basic style are those of the Homeric epics, and the gods are mainly the same, many details are different (Zeus is a younger son, not the eldest, for example), and the struggles between various generations are the foreground story, not a long-concluded background to the reign of Zeus. We meet Heaven, and his sons and daughters, culminating in the rebellion of the Titans, then the Olympians, who wage war against their father and his fellow-Titans, and so on. It is an extremely violent story, full of abusive parents, mutilations inflicted by rebellious offspring, divine cannibalism, and a whole succession of other behaviors the Greeks themselves considered repellent. The philosophers had real problems with this work -- one can understand from it why Plato wanted to ban poets from the ideal state.
Interspersed through the action are a number of catalogues of nature-deities, which are variously regarded by critics as interpolations or key structural elements. Many readers simply find them boring; it helps if you are using a translation which interprets the Greek names, which are usually charmingly appropriate for the natural element being personified.
"Works and Days" contains several important mythological passages, expanding and altering "Theogony," but is in the main a sort of sermon on how to be prosperous and righteous. It is packed with details of daily life, which readers will find either fascinating or tedious. and are sometimes rather opaque. West does a good job in making readable this combination of a sort of pagan equivalent of an Old Testament prophet with an Iron Age Farmer's Almanac, and his notes do help with some of the knottier passages. (Note that there is one recent translation-with-commentary of the "Works" which is dedicated almost entirely to making detailed agricultural and ethnographic sense of it; West clearly offers a more literary approach.)
The latter part of the twentieth century has seen a number of translations of the main Hesiodic poems, by Apostolos N. Athanassakis, R.M. Frazer, Richmond Lattimore, and, as noted above, Dorothea Wender (Penguin Classics), to join the old Evelyn-White bilingual edition for the Loeb Classical Library edition, with numerous attributed fragments. (A new Loeb edition has announced). There are also translations of single poems, by Norman O. Brown and by Richard S. Caldwell (both of the "Theogony") and Tandy and Neale ("Works and Days"). West offers a substantial alternative to the others, based on an exceptionally close knowledge of the textual problems.
31 of 32 people found the following review helpful.
The Ancient Greek's handbook
By Guillermo Maynez
"Theogony" is one of, if not "the", original sources of Greek mythology. Hesiod tells us the full genealogy and origins of the Greek gods, and how the hegemony of Zeus was established after bitter fights and prolific intercourse with godesses and human females. Perhaps the most impressive part of this poem is the story about the god Typhoon. Hesiod depicts a horrific set of disasters that happened to the Earth, with Typhoon apparently being an unimaginable electric storm. Scholars like Immanuel Velikovsky have taken this episode as proof that many centuries ago, Venus and Mars, then wandering cosmic bodies, came very close to each other in a location near the Earth, which presumably caused our planet's rotation to stop, with the following earthquakes, electric storms and the like. In fact, reading that passage by Hesiod strongly seemed to me to be the writing of very old memories of a defining catastrophe that left an indelible mark on human memory. Be that true or not, the poem is very powerful.
"Works and Days" is a very different story. After Hesiod's father died, his apparently indolent brother Perses tried to rob him of part of the inheritance. We all know how bitter fights among siblings can be, especially about inheritances. So Hesiod decided to write a book to teach his brother some lessons, beginning with a little history and theology, and then some practical advice on how to make a decent living by hard work and honesty. The result is a simply wonderful account of some important myths, like the ages through which man has passed (Golden, Silver, Heroic, Bronze and our own), as well as Pandora's myth. He also tells us about Prometheus, the Christ-like figure of the Greeks. After that, Hesiod tells us how a Greek farmer should plan his activities for the year, with delicious depictions of the seasons and very concrete information about their way of life.
It is a very pleasant experience to go down to the very sources of our culture, especially when written in Hesiod's light, brief and humorous way. A very old masterpiece whhich is very important for how much of it we have carried to the present day.
31 of 34 people found the following review helpful.
One of the best Classical translations I have ever read
By F. P. Barbieri
Penguin translations often go too far in pursuit of a contemporary and popular sound, for instance in the infamous Rieu translations of Homer, with Athena "dancing attendance on Odysseus like a lover"; but this one is perfect, probably the best of the entire Penguin Classics collection. The jewel in this excellent book is the translation of Hesiod's WORKS AND DAYS; a translation of exceptional quality, worthy of being mentioned in one breath with Robert Fagles and C.Day Lewis.
Next to it are the wonderful, engaging introductory essays, in which Professor Wender shows the most enchanting insight into the mentality and attitude of her poets, making them live on the page for us. It is unmistakeably the work of a specialist, yet it is pitched - successfully - at the ordinary reader. A person who knows nothing about the Classics will leave them not only having a clear and precise idea of the characters of Hesiod and Theognis, but having learned a considerable amount about what makes good poetry. If the translation shows the poetic gifts of a Fagles or Lewis, the introduction shows the critical eye of a truly great critic - a C.S.Lewis, a Matthew Arnold. Do not be misled by the reviewer who says that she "carps" at the Theogony; he is only showing his shock at the notion that someone might have different views from his own. Professor Wender's criticisms are justified, especially in view of her very insightful comparison of the literary quality of the THEOGONY and that of the WORKS AND DAYS. This is the model of what a paperback translation of a classic work should be. As for the verse, I can do no better than to quote the terrible sequence, building up to a smashing final blow, which Professor Wender herself mentions as a fine instance of the poetic excellence of the author of the WORKS AND DAYS, but which might as well feature as the type of her own fluent and beautiful poetic ear; think, as you listen, of that last white flash of deathless beauty, vanishing away to the land of the Gods to leave men abandoned to their fate:
Zeus will destroy this race of mortal men
When babies shall be born with greying hair.
Father will have no common bond with son,
Neither will guest with host, nor friend with friend;
The brother-love of past days will be gone.
Men will dishonour parents who grow old
Too quickly, and will blame and criticize
With cruel words. Wretched and godless, they,
Refusing to repay their bringing up,
Will cheat their aged parents of their due.
Men will destroy the towns of other men.
The just, the good, the man who keeps his word
Will be despised, but men will praise the bad
And insolent. Might will be right, and shame
Will cease to be. Men will do injury
To better men by speaking crooked words
And adding lying oaths; and everywhere,
Harsh-voiced and sullen-faced and loving harm,
Envy will walk along with wretched men.
Last to Olympus from the broadpathed Earth,
Hiding their loveliness in robes of white
To join the gods, abandoning mankind
Will go the spirits Righteousness and Shame;
And only grievous troubles will be left
For men, and no defence against our wrongs.
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