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Saxophone Mouthpiece Selection: How To Pick The Mouthpiece That Is Right For You!, by Robert Scarff
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This is the book no Saxophonist or Clarinetist should be without. For the cost of a couple of reeds, you can save yourself a ton of money and a load of aggravation. Don't spend $100.00 to $500.00 on a mouthpiece before reading this book. 1. Learn the properties to look for to get the sound you want. 2. Learn how mouthpieces work and how certain design characteristics affect sound and playability. 3. Learn what mouthpieces to check out and why. 4. Learn about sax necks, ligatures, reeds and much more! Includes lots of photos and illustrations. You'll refer to this guide again and again!
- Sales Rank: #1582770 in Books
- Published on: 2010-09-07
- Original language: English
- Binding: Spiral-bound
- 88 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
The title is misleading. The book lacking in necessary information. Don't buy it.
By Patrick
If you are a beginning or novice saxophonist this book provides some very basic, helpful information on the selection of mouthpieces, reed care, and the care and upkeep of your saxophone. And in that case it would be a good book to buy.
But honestly, anyone who needs a more in depth explanation of how mouthpieces function and what makes them sound the way they do should NOT buy this book. The title, for a start, is misleading. It should be something more like "Equipment Selection and Basic Maintenance of Your Saxophone." There is actually very little reliable information about what makes a saxophone mouthpiece sound the way it does in this book. Aside from a helpful chart that compares tip opening measurements, there is no other valuable resource for selecting a mouthpiece present in this book.
This lack of information is irresponsible. The author disregards all of the other factors that play a role in mouthpiece sound production: mouthpiece material, chamber size, rail widths, baffle angle, and angled sidewalls. Chamber size in particular has been a subject of debate ever since Sigurd Rascher complained in the 1930s about new mouthpieces with smaller chamber sizes different from Adophe Sax's original design. He claimed they limited the intensity of the overtone spectrum in a saxophone's sound. Dennis Guillaume did research in 1969 that concluded the opposite: that smaller chambers heightened the presence and intensity of overtones in a saxophone's sound. These are observations that you can't afford to ignore when you write a book titled "Saxophone Mouthpiece Selection" and yet Robert Scarff did. If Scarff believes that these things aren't a significant factor in the sound production of a saxophone, he should at least give a good explanation why.
I wish someone would write a real book about this subject, because I haven't been able to find one yet.
0 of 0 people found the following review helpful.
Very good for beginner
By Francis C. Forte
Everything he writes about is free on saxophone websites. Very good for beginner
0 of 1 people found the following review helpful.
understanding mouthpieces
By Fernando Dincao
Very useful for a good understanding of the characteristics of saxophone mouthpieces. Useful for choosing the mouthpiece more compatible with the expected sound. Very good book.
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