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Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one’s senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power—these were key demands in the many public protest movements she helped mount.
Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity—and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual.
In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.
- Sales Rank: #1119306 in eBooks
- Published on: 2011-10-04
- Released on: 2011-10-04
- Format: Kindle eBook
Review
"Arresting . . . Gornick sees Goldman's lifelong commitment to anarchism as doing 'what Tolstoy said a work of art should do: It made people love life more'; this generous book does the same."—New Yorker (New Yorker)
"[An] elegant portrait."—Russell�Baker, New York�Review of Books (Russell Baker New York Review of Books)
"An intense, engrossing essay written with an allusive, sinuous style."—Fred Siegel, Wall Street Journal (Fred Siegel Wall Street Journal)
Finalist for the 2011 National Jewish Book Award in the Biography, Autobiography, and Memoir category, as given by the Jewish Book Council. (National Jewish Book Award Jewish Book Council)
Honorable Mention�in the Biography/Autobiography category at the Los Angeles Book Festival. (Biography/Autobiography Honorable Mention Los Angeles Book Festival)
Won Honorable Mention for the 2011-2012 Los Angeles Book Festival in the Biography/Autobiography category (Biography/Autobiography Honorable Mention Los Angeles Book Festival 2012-06-07)
Finalist for the 2012 Book of the Year in the Biography category, as awarded by ForeWord Magazine. (Book of the Year Bronze Winner ForeWord Magazine)
“Vivian Gornick has a gripping new entry in Yale’s Jewish Lives series...She has breathed new life into one of the liveliest figures of modern history—not a rebel without a cause but a rebel with many causes.”—David Shribman, Boston Globe (David Shribman Boston Globe)
"Vivian Gornick brings Emma Goldman to life, evokes her spirit in all its ambition and anguish, and explains why today's reader should care about her rebelliousness and audacity. Gornick makes clear that, ideology aside, Goldman's will to take her life in her hands, her striving to reconcile the stirrings of the personal soul with the social imperative, are an inspiration."—Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage (Todd Gitlin)
“Gornick’s portrayal of Goldman captures Goldman’s psychological makeup in a profound, empathetic, and eloquent way.”—Alice Wexler, author of Emma Goldman:�An�Intimate Life (Alice Wexler)
"A vivid snapshot of Gilded Age liberal activism.... Gornick lucidly presents her subject’s significance within a fascinating historical moment."—Kirkus Reviews (Kirkus Reviews)
"With wit and insight, Gornick urges readers to feel what Goldman felt, to ponder what made her kick against conditions that her contemporaries meekly accepted, and to ask whether things are so different today."—Publishers Weekly (Publishers Weekly)
"A ferocious, high-strung and enlightening biography . . . This slender volume, out from Yale University Press as part of their Jewish Lives series, can now be counted among the indispensable guides to Goldman's life."—Virginia Hefferman, Moment (Virginia Hefferman Moment)
"Gornick offers a surprisingly nuanced account of Goldman's political dilemmas . . . What's truly haunting is the way Gornick shows us a woman ahead of her times—maybe even ahead of our times."—Bettina Berch, Jewish Book Council (Bettina Berch Jewish Book Council)
"[T]his compact biography packs a lot of punch for its size."—Judy Maltz, Haaretz (Judy Maltz Haaretz)
"[L]ean and searching . . . Gornick’s subdued prose is a welcome foil to what she rightly calls Goldman’s “high-flown rhetoric,” and her biography is a fine primer into 'the despair and the excitement of revolt'—for the budding anarchist, the seasoned activist, and the armchair occupier alike."—Anne Gray Fischer, Ploughshares (Anne Gray Fischer Ploughshares)
Finalist for the 2011 National Jewish Book Awards in the Biography, Autobiography, and Memoir category, sponsored by the Jewish Book Council (National Jewish Book Awards Finalist Jewish Book Council 2011-06-07)
About the Author
Vivian Gornick is the author of, among other books, the acclaimed memoir Fierce Attachments and three essay collections: The End of the Novel of Love, Approaching Eye Level, and, most recently, The Men in My Life. She lives in New York City.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Anarchism for Idiots
By James D. Hoff
Imagine Woody Allen's Midnight in Paris set in the Lower East side of New York City at the end of the nineteenth century, and you will have a good sense of the emotional and intellectual depth of Vivian Gornick's Emma Goldman: Revolution as a Way of Life. Like the narrative of Midnight in Paris, which is structured around a series of encounters with the great writers of the "lost generation," Gornick's biography is propelled forward by a wave of almost interchangeable cardboard radicals--from Johann Most and Alexander Berkman, to Mikhail Bakunin, Peter Kropotkin and Big Bill Haywood--who appear as little more than caricatures of themselves, and then disappear again into the shadows cast by the often wildly contradictory rendering of Goldman that occupies the center of the book. The major difference between the two works, however, is that while Allen's film is a light-hearted, tongue-in-cheek comedy of Bohemian Paris, Gornick's shallow, pop-culture rendering of the heroes of nineteenth century American radicalism is seemingly accomplished without any irony. For example, about Johann Most, the editor of the radical Freiheit newspaper, we learn that "for him, it was in-your-face rebellion all the way." And of Alexander Berkman, Gornick declares that "he was a man in whom emotional understanding had penetrated flesh and bone and reached the heart." One might expect this kind of boilerplate effusion on a radical walking tour of the Village, but in a Yale University Press biography such empty phrases are, to say the least, embarrassing, suggesting an editor either too lazy or too timid to strike out such nonsense.
6 of 6 people found the following review helpful.
Legacy of Red Emma.
By F. Brauer
Emma Goldman: Revolution as a Way of Life by Vivian Gornick, though only 142 pages, turns out to be an interesting and educating book. The tumultuous life and turbulent times of Red Emma, as she was nicknamed by the press, are skillfully shaped by the biographer into an engaging narrative. Possessing good command of history, Vivian Gornick explains Emma Goldman's ideological make-up. With eloquent brevity she presents the tenets of Anarchism and sketches the political profiles of its founding fathers- Proudhon, Bakunin and Kropotkin. Nor does she skip Chernyshevsky, Tolstoy, Chekhov or Maxim Gorky - the luminaries of Russian literature, who filled the minds of Emma Goldman's generation with a m�lange of romantic ideas from self-improvement and free love to struggle against the czarist regime. A feminist leader in her own right, Vivian Gornick did not hesitate to criticize Goldman's unorthodox views on marriage and free love.
Emma Goldman was born a rebel. Possessed from childhood by a dibbuk of defiance, she was seeking fulfillment in any struggle - be it against capitalist exploitation of workers, oppression by state bureaucracy, military conscription, or inequality of women. She helped her comrade-in-arms Sasha Berkman to organize the revenge assassination of H.C. Frick in 1892. Frick survived, Berkamn was imprisoned for 14 years, but Goldman got off for the lack of evidence. The anarchist assassin of President McKinley, L. Czolgosz, was inspired by the fiery rhetoric of Goldman's and Berkman's speeches. After organizing a campaign against military conscription in 1917 the couple was imprisoned for two years. Upon release from prison, in December 1919, they were deported to Soviet Russia.
That deportation turned to be a blessing in disguise. Horrified by the coercive nature and genocidal politics of the Soviet regime, Goldman and Berkman became among the few revolutionaries who not only understood the evil nature of Bolshevism, but had the courage to tell the truth about it to the rest of the world. The book My Disillusionment in Russia published in 1924 is a powerful document which, at least to some degree, vindicated Red Emma's legacy as an anarchist agitator and preacher of free love. Unfortunately, Vivian Gornick, following the earlier biographers, criticizes Goldman's "...negative...depiction of what was still revolution in trouble" failing to realize that it was the Russian people who were in trouble. The mass executions in Petrograd were already a routine by October 1918.
It is logical to assume that to qualify for inclusion in the Jewish Lives series, the biographer should have examined the effect the `revolutionary life' of Emma Goldman had on the Jewish People. Sadly, that part, arguably the most tragic part of Goldman's legacy, is missing.
Having enough of the anti-American activities of red goldmans and berkamns, the US authorities introduced the Immigration Act of 1924, which reflected the discriminatory sentiments surfaced in the public during the Red Scare of 1919-1920. This Act, reversing the policy of unlimited immigration from Eastern Europe, resulted in de-facto cessation of Jewish immigration. Hundreds of thousands of Jews, who were later trapped in Nazi dominated Europe and eventually perished in Holocaust, could have been saved had the gates of the USA remain open.
5 of 5 people found the following review helpful.
Shockingly thin
By Rebel
Like the other reviewer calling this book silly, I couldn't believe my eyes as I skimmed thru this book as fast as possible looking for the meat. Shocking for an important figure and shocking as the work of a good writer I've read before. And why the silly, hip language? Felt like I was reading a dumbed-down book for young adolescents.
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